The setlist found everyone rocking out to some of the singer’s most popular hits like “Good As Hell,” “Cuz I Love You,” and fan favorites like “Boys” and “Water Me.”Īppropriately, she opened the show with her Cardi B collaboration, “Rumors,” which, while the Bronx baddie was in Miami, was pre-recorded and presented during the UNSTAGED show.įans can sign up for a streaming pass on LIVENow to rewatch Lizzo’s Miami concert on-demand and enjoy highlights from her good time performance below. Her excitement was contagious, sharing with the crowd, “This has been one of the craziest years I’ve ever witnessed, and to be present in my body right now and to be able to do this for you right now is a blessing and I’m so grateful,” before launching into a cover of Chaka Khan’s “I’m Every Woman.”ĥ00 Amex members were invited to the exclusive Art Basel event but was also streamed for fans via LIVENow across the U.S. The Miami show, in an already jam-packed Art Basel week, marked only the second time the “Truth Hurts” singer-songwriter performed a full show since the pandemic began. Its cutting-edge hip-hop sound – delivered here in the shape of an ethereal flute sample offset by sharp, clipped minimalist beats by producer Karriem Riggins – formed the backbone for the singer’s hard-hitting meditations on racial inequality and black oppression.RELATED: Art Basel Miami 2021: 6 Must-Attend Events Not To Miss - BET New Amerykah Part One (4th World War) found Badu taking a huge stylistic and thematic detour from her previous efforts. Directed by Badu and Chris Robinson, the songs music video was released on January 28, 2008, and was conceived by Badu as an homage to classic records. The track ends with a delicious nod to rare-groove man Johnny Hammond’s “Can’t We Smile.” 14: Soldier 15: Time’s A Wastin’Ī highlight from her second album, Mama’s Gun, “Time’s A Wastin’” fuses funky bass lines with lush strings and playful keyboard interjections to underscore Badu’s cautionary tale to a young black man. Erykah Badu originally released Tyrone written by Norman Hurt and Erykah Badu and Erykah. Released in 2003 as a supposed EP that was actually longer than most artists’ full-length albums, Worldwide Underground’s immaculately executed analog grooves were exemplified by the deep basslines, dreamy keyboard runs and exquisitely funky guitars of this single – a nostalgic ode to youthful days spent smoking weed with friends.
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